- Maniac flashdance soundtrack movie#
- Maniac flashdance soundtrack serial#
- Maniac flashdance soundtrack series#
The song was first used in the 1973 martial arts film Lady Snowblood, in which Kaji starred. At the bloody conclusion, where O-Ren falls, RZA and Tarantino used Meiko Kaji’s “The Flower of Carnage”, the lyrics for which could have been written especially for The Bride. When it comes to the most crucial battle between O-Ren Ishii and The Bride at the end of the film, they first chose the disco flamenco intro from Santa Esmeralda’s Latin arrangement of “Don’t Let Me Be Misunderstood”.
What is particularly brilliant is the alternation between non-diegetic sound and the silence that precedes (and is sustained during) some of the most tense action sequences. The 1 multi-platinum soundtrack to Flashdance is back, digitally remastered and featuring the Oscar-winning 1 hit Flashdance What a Feeling Irene Cara the Oscar-nominated 1 hit Maniac Michael Sembello Lady, Lady, Lady Joe Esposito, and songs from Donna Summer, Kim Carnes, Laura Branigan and more. Thanks to Michael Sembello, who wrote in to SongFacts with said facts about his song.The Wu-Tang Clan’s RZA worked with director Quentin Tarantino on the collection of music that would accompany Uma Thurman’s character The Bride on her gory quest for revenge. In either event, the end result was that after some lyrical changes, a hit was born! Matkowsky, meanwhile, has said that they just played the song for Ramone in person and he liked it, but wanted them to change the lyrics. Stream songs including 'Maniac (Flashdance Version) (Re-Recorded / Remastered)' and Maniac (Album Version) (Re-Recorded / Remastered)'. Sembello’s wife accidentally included the “Maniac” demo in their submission (I am not sure how, I believe it might have just been on the tape already that she used to put the other songs on, but don’t quote me on that) and Ramone loved it, although he, of course, told them that they should change the song to be about the female dancer in “Flashdance” instead of an actual murderous maniac. Listen to Maniac (Flashdance Version) (Re-Recorded / Remastered) by Michael Sembello on Apple Music. In one, Sembello had his wife put some songs they came up with on to one tape and send them into Ramone. There are two versions of the story of how “Maniac” was heard by Ramone. Meanwhile, though, Phil Ramone was music supervisor for the then-upcomong dance film, Flashdance, and he asked Sembello and Matkowsky to send in some demos for possible inclusion in the film. What A Feeling' by Irene Cara and 'Maniac' by Michael Sembello, peaked at 1 in the U.S. The films three singles feature on the album. He will kill your cat and nail him to the door” Soundtrack to the 1983 American musical and romance film Flashdance, it sold more than 20 million copies worldwide. The original chorus (this was just temporary, they planned on changing it before they were finished with the song) was : Matkowsky came to Sembello about the idea for making a song about, well, a maniac.
Maniac flashdance soundtrack serial#
The song’s origins go back to when Matkowsky went to see the 1980 thriller, Maniac (directed by William Lustig), about a serial killer… The song is best known for its catchy chorus:Īnd she’s dancing like she’s never danced beforeĪmazingly enough, though, the song “Maniac” was originally written about an ACTUAL maniac – a serial killer! Read on to see how it changed… It was featured prominently on the soundtrack to the hit film Flashdance, starring Jennifer Beals. “Maniac” was a major hit song by Michael Sembello that Sembello wrote with his writing partner, Dennis Matkosky. Michael Sembello - Maniac (Letras y cancin para escuchar) - Shes a maniac, maniac on the floor / And shes dancing like shes never danced before / Shes.
MUSIC URBAN LEGEND: “Maniac” was originally written about a serial killer.
Maniac flashdance soundtrack movie#
Click here to view an archive of the movie urban legends featured so far.
Maniac flashdance soundtrack series#
Here is the latest in a series of examinations into urban legends about music and whether they are true or false.